About The ANSM Project
Over the past four years, community museums in Nova Scotia have participated in artifact research projects in order to enhance their knowledge of their collections. Digital images of artifacts were taken, and the "enriched" records were uploaded to Artefacts Canada. In addition to the research conducted on each specific item, a broader approach was taken in the compilation of a Nova Scotia Manufacturer's Database. Holding over 7300 entries related to artisans and manufacturing companies in the province, this information is not currently available to the general public, and is not being used by museums. It is now time to incorporate this enriched information into the museums' on-site interpretation.
At the Association of Nova Scotia Museums' (ANSM) Spring Conference members requested assistance with interpretation, especially in looking at ways to make things more interactive through the use of technology. This was identified as one of their top three priorities for ANSM. To deliver on this request, ANSM embarked on a project to build on the CHIN-funded research work conducted over the past four years, and enhance the current interpretive offerings at participating museums.
What we did
ANSM worked with 12 museums from across the province to re-purpose existing content and develop new content to be posted online and shared on-site with QR codes:
- Admiral Digby Museum, Digby
- Citadel Hill Army Museum, Halifax
- Colchester Historical Museum, Truro
- Creamery Square Museum, Tatamagouche
- Memory Lane Heritage Village, Lake Charlotte
- North Highlands Community Museum, Cape North
- Nova Scotia Museum of Natural History, Halifax
- Nova Scotia Sport Hall of Fame, Halifax
- O'Dell House Museum, Annapolis Royal
- Pier 21: Canada's Immigration Museum, Halifax
- Shelburne County Museum, Shelburne
- Trois Pignons Centre Culturel, Chéticamp
These sites are spread out around the province, located in both rural and urban areas. They represent the diverse nature of Nova Scotia's heritage, including a specialized military museum, a sports hall of fame, an Acadian cultural centre, and Canada's newest national museum. Operating structures range from various community museum models to the provincial and federal governments. By working with such a diverse group of sites, it was hoped that all museums, regardless of site or resource constraints, would be able to see how such a project could be implemented in their own organization.
Many of our biggest hurdles were caused by the structure of the project rather than any difficulties arising from QR codes and web content. Many of the sites we worked with were located many hours away from our office in Halifax, and the amount of time we were able to spend on-site was very limited. This meant that getting content from sites was often challenging. The distance also prevented more discussion about content types and possibilities. In a situation where content for QR codes were being developed in-house, this would not be an issue.
Here it should again be stressed that the key to the success of a project such as this is the content. The novelty of QR codes can only go so far, and if what they link to does not enhance a visitor's museum experience they will not be viable over the long-term.
Another issue we faced was the lack of standards for mobile content. There is a dizzying range of phones which can access QR technology, each with different display abilities; some, such as iPhones, display Internet content almost the same as a regular web browser, while others are very limited in their abilities. We received a large amount of conflicting advice and much time was lost trying to find the best way to deliver content, before ultimately deciding to rely on larger sites, like YouTube, which have already done the leg work of making content mobile-friendly.
Contact information for this web page
This resource was published by the Canadian Heritage Information Network (CHIN). For comments or questions regarding this content, please contact CHIN directly. To find other online resources for museum professionals, visit the CHIN homepage or the Museology and conservation topic page on Canada.ca.
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