February 12, 2015 – Montreal, National Film Board of Canada
What personal traces do we leave on the Internet? And just how permanent and public are they? These are the questions addressed by the interactive film In Limbo (nfb.ca/inlimbo), directed by Antoine Viviani (INSITU), co-produced by the National Film Board of Canada (NFB), ARTE France, and Providences, and available online as of today. In Limbo creates a disturbing mirror image of data incorporated from its users’ accounts (Facebook, Twitter, Instagram, and LinkedIn), making them realize how big a footprint they’re leaving on the Web. Eight people, including computer pioneer Gordon Bell and Internet Archive founder Brewster Kahle, also share their thoughts and experiences regarding this new social phenomenon.
In Limbo is part of a broader reflection being conducted by the NFB French Program’s Digital Studio about how the digital world is changing us. Launched last fall, the mobile app Cancer of Time (NFB/France Télévisions) explores our inability to enjoy a bit of downtime from our electronic devices. The upcoming interactive documentary series Do Not Track (NFB/ARTE/BR), slated for release in April 2015, takes this reflection to another level, with particular focus on the commercial aspects of digital life. Producer Louis-Richard Tremblay commented, “We’ve been exploring these questions for over two years. Our research has brought us into contact with the founders and developers of technologies that are transforming our existence into digital content. It’s fascinating what goes on in the electronic circuits behind your screen. How does that involve you? What are the goals pursued by the alchemists of the digital age: To make you immortal? To sell you the latest gadget? Or simply to sell you?”
Quick Facts
• In Limbo, an instruction manual for an eye-opening experience
o Designed as a personalized interactive experience for computers and tablets, In Limbo integrates its users’ data into its story. Built around a 30-minute film, In Limbo enables users to explore the Internet and the digital world by means of their own input into the global data stream.
o The user is invited to connect to their Facebook, Instagram, Twitter, Gmail and LinkedIn accounts. All the data collected are seamlessly integrated into In Limbo in 12 personalized sequences.
o Images of the eight interview subjects are captured by a Kinect camera, and they see themselves being digitized and converted into lines of code, in a constant interplay between the Web and reality.
o Meandering through the almost infinite memory of big data, the user will begin to grasp the dreams and fears of this new connected humanity. What are we building: a new civilization, or simply a vast data cemetery?
• Participants in the 30-minute film
Gordon Bell, a researcher emeritus at Microsoft
Ray Kurzweil, a director of engineering at Google
Paul Miller, an American journalist who disconnected from the Internet for a year
George Dyson, a historian of the creation and mythology of the digital universe
Cathal Gurrin, a computer engineer
Laurie Frick, an American artist who turns her personal data into art
Liesl Capper, CEO of MyCyberTwin, an AI company that sells virtual human beings
Brewster Kahle, founder of the Internet Archive
• Duration of the In Limbo experience
Approximately 30 minutes, including integration of the user’s personal data
• Creative team
Director: Antoine Viviani
Writers: Antoine Viviani, Léa Todorov, Bojina Panayatova
Editors: Pierre-Alain Giraud, Lucas Archambault
Web Designer: Jérôme Pidoux
Front-End Developer: Yves Diffre
Back-End Developer: Maxime Gravouil
An NFB/ARTE France/Providences co-production
NFB
Executive Producer, French Program Digital Studio: Hugues Sweeney
Producer: Louis-Richard Tremblay
ARTE France
Director of the Web Department: Gilles Freissinier
Head of Web Productions and Transmedia Projects: Marianne Lévy-Leblond
Commissioning Editor: Alexander Knetig
Providences
Producer: Antoine Viviani
Production Manager: Émilie Arlet
• About Antoine Viviani
French filmmaker and producer Antoine Viviani has made several music documentaries (for REM and Arcade Fire, with music video director Vincent Moon) and worked with video artist Pierre Huyghe. He founded his own production company, Providences, through which he directed his first films: Little Blue Nothing (2009, 52 min); Fugues, a short-film series about classical music; and INSITU, co-produced with ARTE in 2011, a poetic feature-length documentary for the Internet and the cinema about the urban space in Europe, as seen through diverse artistic experiences and public space interventions. It received the DocLab Digital Storytelling Award at IDFA 2011 and the Time Out Best City Film Award at Open City Docs Fest in London in 2012.
Related Products
Trailer: www.youtube.com/watch?v=Kb1JGGdm6RE
Associated Link
The Cancer of Time : canceroftime.com
Do Not Track : nfb.ca/donottrack
IN SITU : insitu.arte.tv
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Online screening room: NFB.ca
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Twitter: twitter.com/thenfb
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Media Relations
Melissa Than
NFB Publicist
Tel.: 416-952-8960
Cell: 647-248-9854
E-mail: m.than@nfb.ca
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Lily Robert
Director, Corporate Communications and Corporate Affairs
Tel.: 514-283-3838
Cell: 514-296-8261
E-mail: l.robert@nfb.ca
About the NFB
The National Film Board of Canada (NFB) creates groundbreaking interactive works, social-issue documentaries and auteur animation. The NFB has produced over 13,000 productions and won over 5,000 awards, including 9 Canadian Screen Awards, 8 Webbys, 12 Oscars and more than 90 Genies. To access acclaimed NFB content, visit NFB.ca or download its apps for smartphones, tablets and connected TV.
