Gender-based analysis plus (GBA Plus)

Introduction

In 2018, Parliament passed the Canadian Gender Budgeting Act. The departmental plans and departmental results reports are being used to fulfill the President of the Treasury Board’s obligations to make public, every year, analysis on the impacts of expenditure programs on gender and diversity.

Each organization is responsible for conducting their own Gender-based Analysis Plus (GBA Plus).

The Policy on Results indicates that Program officials, as designated by Deputy Heads, are responsible for ensuring data collection for meeting policy requirements.

Applicability

All organizations must complete GBA Plus supplementary information tables in departmental plans and departmental results reports on an annual basis.

Section 1: institutional GBA Plus governance and capacity

Governance

As a small organization, the NFB is integrating GBA+ into its very governance structure, with its Human Resources division, including the Strategic Planning and Government Relations team, assuming responsibility for the GBA+ process. In 2023–24, the NFB recruited a Senior Advisor, Equity, Diversity and Inclusion, who serves as a consultant on EDI and an agent of change supporting the organizational transformation efforts to ensure that EDI continues to be an NFB priority. This senior advisor works closely with the Strategic Planning and Government Relations team to implement GBA+ and integrate it into the NFB’s decision-making processes. These people also carry out the tasks of consulting, monitoring and reporting on this subject.

Capacity

In February 2021, the NFB released a Diversity, Equity and Inclusion Plan that aimed to drive sustainable and meaningful change and make the NFB an egalitarian, open and diverse organization. In line with this plan, in 2022–23 the NFB met its commitments regarding gender parity and the proportion of its production budgets allocated to Indigenous creators. The same year, the organization developed a self-declaration questionnaire. The information gathered with this questionnaire will enable the NFB to measure and report on the effects of its commitments to equity, diversity and inclusion. In 2023–24, with the appointment of the Senior Advisor, Equity, Diversity and Inclusion, the NFB began preparing a new EDI plan to be deployed in 2024–25.

Human resources (full-time equivalents) dedicated to GBA Plus

Four (4) full-time equivalents (FTEs) are dedicated to GBA Plus:

Section 2: gender and diversity impacts, by program

Core responsibility: Audiovisual Programming and Production

Program name: Audiovisual Programming and Production

Program goals: The National Film Board’s mandate is to create relevant and innovative audiovisual content that interprets Canada and its diversity to Canadians and people around the world. By working with filmmakers and artists from every region of Canada, the NFB seeks to reflect the perspectives and experiences of communities that are systematically underrepresented in the media and to develop innovative new storytelling forms and approaches.

Target population: Creators of audiovisual works, including documentaries, auteur animation and interactive projects.

Distribution of benefits
Distribution Group
By gender Third group: broadly gender-balanced
By income level Third group: no significant distributional impacts
By age group Second group: no significant intergenerational impacts or impacts on generations between youths and seniors
Specific demographic group outcomes

Certain initiatives specifically target women directors, creators from Indigenous communities, visible minorities and emerging filmmakers, as well as those from official-language minority communities.

Key program impacts on gender and diversity

Diversity of voices and perspectives is essential to the fulfillment of the NFB’s mandate and the success of storytelling in Canada. Hence, in August 2023, the NFB announced new objectives with regard to parity. The NFB made a commitment that by March 31, 2025, over 30% of its current productions and co-productions would be directed by filmmakers and artists who identify as Black or as persons of colour. This commitment is in addition to those made in 2016 with regard to gender parity and in 2017 to redefine the NFB’s relationships with Indigenous people. Together, these commitments will give a voice to communities that are systematically underrepresented in the media landscape, both in front of and behind the camera: women, Indigenous people, official-language minority communities, ethnocultural communities, sexual minorities (2SLGBTQI+), people living with disabilities, and others.

Here are some of the NFB works released in 2023–24 that reflect this diversity of voices and perspectives.

Key program impact statistics

Statistic Observed results* Data source Comment (Maximum 25 words per statistic)
Statistics related to the Departmental Results Framework Indicators
Percentage of works directed by filmmakers and artists from Quebec 44 % Internal data / addresses in filmmakers' contracts
Percentage of works directed by filmmakers and artists from British Columbia and the Yukon 14 % Internal data / addresses in filmmakers' contracts
Percentage of works directed by filmmakers and artists from Ontario 17 % Internal data / addresses in filmmakers' contracts
Percentage of works directed by filmmakers and artists from the Atlantic region 13 % Internal data / addresses in filmmakers' contracts
Percentage of works directed by filmmakers and artists from the Canadian Prairies, Nunavut and the Northwest Territories 12 % Internal data / addresses in filmmakers' contracts
Percentage of completed works directed by Indigenous filmmakers and artists 20 % Inventory of works completed by the NFB
Percentage of completed works directed by emerging filmmakers and artists 61 % Inventory of works completed by the NFB
Percentage of production budget allocated to works directed by creators from official-language minority communities** 18 % Production-expense records
Percentage of production budget allocated to works directed by women** 55 % Production-expense records
Percentage of production budget allocated to works directed by Indigenous filmmakers and artists** 25 % Production-expense records
Statistics not related to the Departmental Results Framework Indicators but provided by the self-declaration questionnaire**
Percentage of works in progress directed by women 55 % Inventory of works in progress by the NFB
Percentage of works in progress directed by Indigenous filmmakers or creators 23 % Inventory of works in progress by the NFB
Percentage of works in progress directed by filmmakers who belong to an official-language minority community 23 % Inventory of works in progress by the NFB
Percentage of works in progress directed by Black and People of Colour filmmakers or creators 36 % Inventory of works in progress by the NFB
Percentage of works in progress directed by filmmakers or creators who self-identify as a person with one or more disabilities 12 % Inventory of works in progress by the NFB
Percentage of works in progress directed by filmmakers or creators member of the 2SLGBTQI+ community 20 % Inventory of works in progress by the NFB

* 2023–24 or most recent

** It’s important to mention that the results for these indicators are taken from the voluntary self-declaration questionnaire implemented by the NFB at the beginning of the fiscal year, and that a number of filmmakers did not complete it. The 2023–24 results were calculated based on projects for which the NFB has data and not on the total number of ongoing projects during the year.

Other key program impacts

No additional qualitative impact to report 

Supplementary information sources

Gender Parity at the NFB

Equity, diversity and inclusion. NFB’s goals and commitments

NFB Indigenous Action Plan

Review on Official Languages

 GBA Plus data collection plan

In April 2024, the NFB launched a confidential, non-mandatory self-declaration questionnaire that was sent out to the filmmakers, artists and production-team members who collaborate with the NFB. The personal information collected through the questionnaire will include data on Indigenous, racial and ethnic identity; disability status; gender identity and expression; belonging to the 2SLGBTQI+ community; and belonging to an official-language minority community. Since the launch, 88% of people have filled out the questionnaire, enabling the organization to measure and report on the effects of its commitments to equity, diversity and inclusion.

Core responsibility: Content accessibility and audience engagement

Program name: Preservation, conservation and digitization of works

Program goals: This program sets out to preserve and digitize works in the National Film Board’s collection in order to secure their longevity and availability to Canadians today and in the future. This program also allows the NFB to offer high-resolution excerpts, outtakes and stock shots to the audiovisual and institutional sector.

Target population: All Canadians in all parts of Canada, but also, specifically, players in the audiovisual industry and the non-theatrical sector. Note that as part of a partnership between the NFB and the National Centre for Truth and Reconciliation (NCTR), Indigenous communities are more specifically targeted.

Distribution of benefits
Distribution Group
By gender Third group: broadly gender-balanced
By income level Third group: no significant distributional impacts
By age group Second group: no significant intergenerational impacts or impacts on generations between youths and seniors
Specific demographic group outcomes

Not available

Key program impacts on gender and diversity

One NFB production that benefitted from the organization’s expertise in preservation, conservation and digitization this year was the 1979 series Sounds From Our People, by Abenaki filmmaker Alanis Obomsawin. In 2023–24, all six episodes of this series were remastered so that they could be included in the DVD box set Alanis Obomsawin: A Legacy and thus made available to the public. This box set celebrates the work of this director, who has always strived to chronicle the lives and concerns of Canada’s Indigenous Peoples while examining issues that are important to all Canadians.

In 2022, the NFB conservation team’s expertise led to a special partnership with the National Centre for Truth and Reconciliation. Under this partnership, the NFB is converting the videos of Survivors’ statements and other original audiovisual content recorded at the Truth and Reconciliation Commission hearings into formats suitable for archiving and for posting on the web. In 2023–24, the NFB converted and delivered 315 hours of additional content to the Centre. In total, some 7,000 statements and more than 1,500 hours of content will be preserved through this project. This partnership is the result of the commitments made by the NFB in 2017 when it published its Indigenous Action Plan.

Key program impact statistics

Not available

Other key program impacts

No additional qualitative impact to report 

Supplementary information sources

NFB Archives

NFB Indigenous Action Plan

GBA Plus data collection plan

Not available

Core responsibility: Content accessibility and audience engagement

Program name: Distribution of works and audience engagement

Program goals: This program makes National Film Board works available to Canadian and international audiences in their chosen formats. The various distribution channels used by the NFB allow it to reach out to its audiences, prompt discussion and encourage debate on issues of importance to Canadians. The NFB has also been recognized for generations in schools as a reliable provider of educational content. Its online educational offer, available in both official languages, includes activities and teaching resources tailored to the needs expressed by major players in Canada’s education sector.

Target population: All Canadians in all parts of Canada

Distribution of benefits
Distribution Group
By gender Third group: broadly gender-balanced
By income level Third group: no significant distributional impacts
By age group Second group: no significant intergenerational impacts or impacts on generations between youths and seniors
Specific demographic group outcomes

Some initiatives also target the following sub-groups more specifically (but not exclusively):

Key program impacts on gender and diversity

In 2023–24, as in past years, the NFB marked the events that celebrate the diversity of Canada, including Asian Heritage Month, Canadian Jewish Heritage Month, National Indigenous History Month, Pride Month, National Acadian Day, Latin American Heritage Month and Black History Month. Through online channels offering both classic and new films, online film releases, thematic blog posts and virtual conversations open to the public, the NFB celebrated these communities that so enrich the Canadian experience.

To mark Black History Month, the NFB held a special tribute to renowned filmmaker Charles Officer, who died in December 2023. This event consisted of a free screening of Officer’s film Mighty Jerome in the Alanis Obomsawin Theatre at the NFB’s Montreal headquarters, preceded by an introduction of the NFB’s curators and invited guests.

Also in 2023–24, for the 19th year in a row the NFB participated in the Rendez-vous de la Francophonie. This was the 26th annual edition of this cultural event, and its theme was “Launch Into Discovery.” Each year, the Rendez-vous de la Francophonie, organized by the Dialogue Foundation, presents activities to promote the French language everywhere in Canada. Throughout the Month of the Francophonie (March 1 to 31), the NFB offered five free programs of documentary and animated films celebrating the Francophonie to any groups, organizations and institutions that wanted to present screenings in person or online. In this 2024 edition, 202 public and private screenings were held in 66 Canadian cities in 11 provinces and one territory, and 86% of these screenings took place outside of Quebec. In total, 21,173 views were recorded.

Many other activities were held to present the NFB’s works in 2023–24. Here are some of these activities celebrating the diversity of Canadian audiences:

In addition to participating in many activities, the NFB developed educational materials to enhance its offerings for teachers and their students:

Key program impact statistics

Statistic Observed results* Data source Comment (Maximum 25 words per statistic)
Statistics related to the Departmental Results Framework Indicators
Number of NFB educational resources available on digital platforms 9,252 Internal data
Number of visits to NFB websites by educators and students More than 500,000 Internal data
Statistics not related to the Departmental Results Framework Indicators
Percentage of total views on nfb.ca/onf.ca accounted for by Indigenous cinema 18% Internal data
Number of Indigenous titles in the NFB’s online collection More than 455 Internal data

*2023–24 or most recent

Other key program impacts

No additional qualitative impact to report 

Supplementary information sources

Channels available on the NFB’s online screening room:

GBA Plus data collection plan

Some analyses of the NFB’s media placement campaigns provide an understanding of the target audience by classifying the results by geographic origin, age and sex. But it is not currently possible to monitor the impact of these campaigns on the NFB’s online distribution or to verify their effectiveness.

Core responsibility: Content accessibility and audience engagement

Program name: Promotion of works and National Film Board outreach

Program goals: This program is dedicated to making the National Film Board and its works better known in Canada and abroad. Program activities generally include promoting NFB audiovisual works and themed compilations at major festivals, on the national and international markets and at major industry events, as well as marketing and promoting retrospectives of NFB works and pre-eminent NFB filmmakers (Norman McLaren, Pierre Perrault, Alanis Obomsawin). The program also leads many public relations and promotional activities in the cultural sector and film industry, including NFB involvement in roundtables, contests and award ceremonies, facilitated through partnerships and collaborations with both public and private sectors, with the NFB working in close collaboration with industry.

Target population: All Canadians in all parts of Canada as well as the international public and NFB creators.

Distribution of benefits
Distribution Group
By gender Third group: broadly gender-balanced
By income level Third group: no significant distributional impacts
By age group Second group: no significant intergenerational impacts or impacts on generations between youths and seniors
Specific demographic group outcomes

Not available

Key program impacts on gender and diversity

This year the NFB’s excellence was recognized again throughout the world, with 95 awards and honours presented to NFB works and filmmakers at festivals and industry events. One of the directors recognized was filmmaker Alanis Obomsawin, who received a Career Achievement Award at the Banff World Media Festival and also became the first woman filmmaker to receive the Edward MacDowell Medal, given to an artist who has made an outstanding contribution to their field.

The NFB works listed below received awards in 2023–24 and either dealt with subjects related to the lives and experiences of Indigenous people or presented diverse perspectives on race, ethnicity, religion, culture, disability or sexuality.

Boat People, an animated documentary that tells the story of the refugees who fled the chaos of postwar Vietnam, won seven awards at festivals in Canada and the United States, including the 2023 Best Canadian Animation Short Film Award at the Vancouver Asian Film Festival.

Croque-mort. C’est beau la vie ! (Undertaker for Life!), a deep, funny, comforting film, was the very first film from Acadia to win a Gémeaux award in the Best Documentary Program or Series: Society category.

The installation Meneath: The Mirrors of Ethics, produced in English and Ojibwe, received the New Voices Award at the Tribeca Film Festival.

WaaPaKe (Tomorrow), Dr. Jules Arita Koostachin’s deeply personal documentary unravelling the tangled threads of the silence suffered by residential school Survivors, received the award for Best British Columbia Film at the Vancouver International Film Festival.

Key program impact statistics

Not available

Other key program impacts

No additional qualitative impact to report 

Supplementary information sources

Not available

GBA Plus data collection plan

Not available

Core responsibility: Internal Services

Program name: Internal Services

Program goals: Committed to promoting better ways of working together, the NFB develops actions to ensure the well-being of its staff and collaborators.

Target population: The employees of the NFB and its collaborators.

Distribution of benefits
Distribution Group
By gender Third group: broadly gender-balanced
By income level Third group: no significant distributional impacts
By age group Second group: no significant intergenerational impacts or impacts on generations between youths and seniors
Specific demographic group outcomes

Not available

Key program impacts on gender and diversity

In addition to the actions described in the 2023–24 Departmental Results Report, other measures and projects carried out in the course of the year helped to create a culture of mutual respect, dignity and inclusion at the NFB.

The NFB’s participation in Indigenous events and training strengthened its commitment to cultural sensitization, contributed to sharing of knowledge and enriched its cultural competence.

Lastly, we invited all NFB employees to take three online courses from the Canada School of Public Service on Indigenous subjects: Reflecting on Cultural Bias: Indigenous Perspectives; A Brief History of the Relationship Between Indigenous Peoples and the Government of Canada; and Inuit in Canada.

In keeping with the commitment that the NFB made to the Canadian Human Rights Commission in 2023, we have developed an Indigenous internships program. To do so, we worked with community partners, applying best practices and taking the perspectives of First Nations, Inuit and Métis communities into account.

Key program impact statistics

Statistic Observed results* Data source Comment (Maximum 25 words per statistic)
Statistics related to the NFB’s commitments to equity, diversity and inclusion
Percentage of NFB workforce (permanent or temporary) from Indigenous communities 2.2 % Internal data The NFB made a commitment to achieve at least 4% Indigenous representation among staff by 2025
Percentage of the total NFB workforce (permanent or temporary) that self-identified as belonging to an underrepresented group as of March 31, 2024 24 % Internal data In its EDI Plan, the NFB made a commitment to have a more diverse workforce that reflects Canadian society

*2023–24 or most recent

Other key program impacts

No additional qualitative impact to report 

Supplementary information sources

Not available

 GBA Plus data collection plan

Not available

Definitions

Scales

Gender scale

Income‑level scale

Age‑group scale

Page details

2024-12-17